Feminism meaning – Feminaust http://feminaust.org/ Sun, 25 Apr 2021 13:13:10 +0000 en-US hourly 1 https://wordpress.org/?v=5.7.1 https://feminaust.org/wp-content/uploads/2021/04/cropped-icon-32x32.png Feminism meaning – Feminaust http://feminaust.org/ 32 32 The economic arguments for paying parents https://feminaust.org/the-economic-arguments-for-paying-parents/ https://feminaust.org/the-economic-arguments-for-paying-parents/#respond Sun, 25 Apr 2021 11:00:00 +0000 https://feminaust.org/the-economic-arguments-for-paying-parents/ Sooner or later, this demographic decline will cause problems in the United States and around the world. Countries depend on stable or growing populations to maintain their tax bases, workforce, and senior support programs. How can governments avoid low fertility and its attendant problems? Politicians such as President Joe Biden and Senator Mitt Romney want […]]]>


Sooner or later, this demographic decline will cause problems in the United States and around the world. Countries depend on stable or growing populations to maintain their tax bases, workforce, and senior support programs. How can governments avoid low fertility and its attendant problems? Politicians such as President Joe Biden and Senator Mitt Romney want to follow Eastman’s lead and encourage children’s education by providing financial support to parents. But experiences from other countries suggest that as people get used to having two or fewer children, even large financial support may not be enough to get them to have more. If policymakers want to ensure a stable population in the future, they must now offer more support to parents.

Tit is important to have a stable or the population growth of human economies is easy to ignore. Most measures of economic activity consider the money parents spend on their children as a form of consumption, and ignore the unpaid time parents spend in child care. Indeed, many economists view children as a commodity that parents “buy”. Since 1970sHowever, feminist economists have criticized this framework for failing to properly account for the economic relevance of parenthood. Although children bring value to their parents, classifying them as commodities underestimates their economic and social importance, argued Nancy Folbre in her speech. 1994 paper “Children as public goods”. Spending on children is a form of “investing in demographic infrastructure,” Folbre recently told me.

Taxes are the most concrete example of this phenomenon. Children grow up to be adults and pay taxes that exceed the value of what was spent on them. Although parents pay slightly less tax than non-parents over the course of their lives, the net taxes their offspring will pay more than will make up the difference, of around $ 217,000 per parent, according to one. 2011 estimate.

A generation that does not reproduce risks overloading a shrinking workforce with the demands of the elderly. Fewer children means fewer buyers for homes and inventory that seniors have invested in to build a retirement nest egg, a smaller tax base to pay their pensions and outsized hospital bills, and fewer people around to look after their care. The demands of the elderly will represent an ever increasing share of economic activity and public expenditure. The cost of living may fall as house prices fall, but the the economy could stagnate, especially if the shrinking number of young people is slowing innovation. The higher tax rates needed to cover Social Security and Medicare, because fewer young people pay there, can worsen this effect.

As a wealthy nation, the United States will likely have the option of relying on immigration to delay some of these problems – if it can maintain the political will to accept it. People born abroad represent a lot more significant share of the population in Australia (29 percent), Canada (21 percent), Switzerland (30 percent), Austria (19 percent) and Sweden (18 percent) than in the United States (14 percent). But even immigration is not a permanent solution to the problems of low fertility. The forces that make people have fewer children are not unique to the United States. Countries in Europe and East Asia have experienced low fertility for decades, and now the rest of the world is following suit. In 2019, about half of the world’s population lived in areas where fertility was below the replacement rate. Fertility stay high in sub-Saharan Africa and parts of Asia and Oceania, but is declining and is expected to continue to do so, for all the same reasons he fell elsewhere: urbanization, the importance of education in industrialized economies and the increasing access of women to employment and birth control.



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Peppery dry cleaning ‘New Long Leg’ with bizarre writing, exceptional instrumentals https://feminaust.org/peppery-dry-cleaning-new-long-leg-with-bizarre-writing-exceptional-instrumentals/ https://feminaust.org/peppery-dry-cleaning-new-long-leg-with-bizarre-writing-exceptional-instrumentals/#respond Fri, 23 Apr 2021 01:55:52 +0000 https://feminaust.org/peppery-dry-cleaning-new-long-leg-with-bizarre-writing-exceptional-instrumentals/ ★★★★ ☆ To listen to “New Long Leg” by Dry Cleaning is to be immersed in the universe of Florence Shaw, the singer of the group. During “New Long Leg,” Shaw ruminates on the mundane, the existential wonder, and the nonsense. In a vocal style that is more conversational than lyrical, Shaw conjures up images […]]]>


★★★★ ☆

To listen to “New Long Leg” by Dry Cleaning is to be immersed in the universe of Florence Shaw, the singer of the group. During “New Long Leg,” Shaw ruminates on the mundane, the existential wonder, and the nonsense.

In a vocal style that is more conversational than lyrical, Shaw conjures up images like a broken ceramic shoe, a stuffed llama, and a floating dumpling. Due to his unique style, Shaw’s stories and images never come together. Instead, they linger in the foreground of a song until their inevitable dismissal.

This bizarre lyricism is perhaps most comically visible in the album’s opening song, “Scratchcard Lanyard.” Shaw suddenly shifts from his observation, “I think of myself as a hearty banana / with that waxy surface / and delicate little flowers,” to the thought of “a woman as an aviator pulling a bazooka.”

While Florence Shaw’s lyrics are rather unusual, “New Long Leg” never feels completely random or disorganized. Rather, the album’s distinctive lyrics create unique visual landscapes that serve as a backdrop for Shaw’s observations and stories.

This is clearly displayed on the album’s second track, “Unsmart Lady”. Over the course of the song, Shaw develops a dazzling interpretation of the female experience. Evoking seemingly disparate thoughts and images, Shaw chastises his “Unintelligent Lady” with phrases such as “don’t cry, just drive,” “if you love a girl, be nice / that’s not rocket science” and ” fat podgy / non-up / lady unsmart. “Unsmart Lady” isn’t your typical feminist anthem, but it showcases Shaw’s talents as an intelligent and disciplined songwriter.

While Shaw’s ironic and deadpan vocal delivery method seems like the perfect match for his disorienting lyrics, his technique also leaves “New Long Leg” without vocal melodies. Simply put, Shaw doesn’t sing throughout the LP.

FACEBOOK | “New Long Leg” by Dry Cleaning is artfully produced by John Parish, with a breathless but melancholy tone.

Instead, Shaw’s band members step in with instrumental work that creates the melody for the album. Tom Dowse’s melodic and jangly guitar lines are set to the strong rhythms of bassist Lewis Maynard and drummer Nick Buxton. If it is Shaw’s vocals that color the album, it is the other members of Dry Cleaning who give the impetus to “New Long Leg”.

Each of the songs from “New Long Leg” is his own unique conversation, leaving one anxiously awaiting the puzzled landscapes Shaw paints on the musical canvases of his bandmates. This is displayed with an amazing effect on “Its Hippo”. Supported by swirling guitar riffs and a heavy bassline, Shaw fantasizes about running away with his sweetheart on a plane, all the while deciding to drown his romantic sorrows in caffeine. As Dry Cleaning’s focused instrumentals guide Shaw’s bizarre yet moody fun tale, “Her Hippo” exemplifies what the band and “New Long Leg” do best.

Throughout the album, the work of producer John Parish shines. On Dry Cleaning’s 2019 EP “Sweet Princess”, the coldly controlled instrumentation that partly defines “New Long Leg” is absent, with volatile percussion and guitar heroics threatening to completely obscure Shaw’s vocals. However, with “New Long Leg”, Parish seems to have retained these explosive impulses, leaving room for the vocals and the instrumentation of the album to breathe fully.

This restraint is perhaps most visible on the album’s last song, “Every Day Carry”. About halfway through the song, the band’s vocals, drums, and bass completely disappear, leaving the song with only Tom Dowse’s sparse and abrasive guitar work. Rather than closing the album with an avant-garde guitar solo, the rest of the band return to the song with an intensity and tempo that is absent from much of “New Long Leg”. With this energy, the band closely imitates the sound of “Sweet Princess”.

However, “Every Day Carry” never quite transforms into the ill-defined noise of the 2019 EP. The song is carried by the groove of bassist Lewis Maynard. This unique melodic choice not only anchors Dry Cleaning’s mercurial percussion and guitarist, but also allows Shaw Space to explore his angst and frustration. On “Every Day Carry”, the band reproduces the intensity of “Sweet Princess” without completely obscuring what makes their new work unique, making the song a perfect illustration of the growth of Dry Cleaning.

In its entirety, “New Long Leg” is an exciting and disorienting ride through the bizarre sights, sounds and spirits of dry cleaning.



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Reggaeton women do feminism on their terms https://feminaust.org/reggaeton-women-do-feminism-on-their-terms/ https://feminaust.org/reggaeton-women-do-feminism-on-their-terms/#respond Thu, 22 Apr 2021 21:12:10 +0000 https://feminaust.org/reggaeton-women-do-feminism-on-their-terms/ China Morning Post Huawei’s Meng Wanzhou Wins Offer to Delay Extradition Hearing by Three Months, Shaking Marathon Case Huawei Technologies CEO Meng Wanzhou has won a request to adjourn her Canadian extradition case for more than three months in light of new evidence from HSBC bank, which has turned the timeline of the case upside […]]]>


China Morning Post

Huawei’s Meng Wanzhou Wins Offer to Delay Extradition Hearing by Three Months, Shaking Marathon Case

Huawei Technologies CEO Meng Wanzhou has won a request to adjourn her Canadian extradition case for more than three months in light of new evidence from HSBC bank, which has turned the timeline of the case upside down already a marathon. The final phase of the legal battle, which lasted 28 months and rocked China’s relations with Canada and the United States, was due to begin next week. But Associate Chief Justice Heather Holmes ruled in the B.C. Supreme Court on Wednesday that Meng’s offer to adjourn the case should be granted so that the defense can review any bank documents it deems relevant. Meng’s attorneys said on Monday that some of the documents had already been provided by HSBC, with more expected to be delivered within the next six weeks. Do you have questions on the biggest topics and trends from around the world? Get the answers with SCMP Knowledge, our new curated content platform with explanations, FAQs, analysis and infographics brought to you by our award-winning team. Holmes has canceled three weeks of court hearings scheduled for April 26 to May 14. She ordered their reprogramming on or around August 3. The decision blurs the end of the case. Holmes, Meng’s attorneys and Canadian government attorneys representing U.S. interests will hold a conference on April 28 to chart a new course forward. In his brief oral ruling, which included no reason for the decision, Holmes said new claims resulting from HSBC’s evidence should be filed by August 3. Meng Wanzhou calls for three-month delay in marathon extradition case HSBC agreed to hand over documents to Meng – who is Huawei’s chief financial officer and the daughter of company founder Ren Zhengfei – after settling a case with she before the High Court of Hong Kong. Previously, HSBC had rejected another claim for return of the material in UK courts. Senior attorney for the Canadian Department of Justice Robert Frater said it was “inexplicable” that HSBC had acquiesced to Meng in Hong Kong, considering that the bank had “won on all counts” in the UK case. Frater, whose team opposed the request, had characterized Meng as embarking on a global fishing expedition for evidence that had no place in the Canadian extradition hearing and should instead be presented. at an American trial. But Meng’s attorneys had claimed that the HSBC documents could support their claim that US authorities had deceived the Canadian court, and Meng’s extradition should therefore be dismissed. Meng is accused by US authorities of defrauding HSBC by lying to the bank about Huawei’s business dealings in Iran, putting the bank at risk of violating US sanctions. She was arrested at the Vancouver airport on December 1, 2018 and has since fought a US extradition request to stand trial in New York. His treatment infuriated Beijing. According to Meng’s lawyers, the new HSBC material is tied to the relationship between Huawei and HSBC and two subsidiaries – Skycom, through which Huawei did business in Iran, and a shell company called Canicula. Meng’s attorney, Richard Peck, said on Monday that the material would be “plentiful,” but nothing was made public. His unfamiliar character apparently dismayed Frater, who had told Holmes, “They don’t know what’s in these documents and they don’t know when they’re going to get them.” HSBC and Huawei’s Meng Wanzhou settle Hong Kong file seeking documents The timeline for the case has been tightly calibrated and is the subject of much negotiation between the government, which is seeking to rush the process, and the Meng, apparently happy to extend them. Peck had denied that Meng was “trying to tie this up”; the adjournment was a matter of fundamental fairness, he had said. The government’s written response to the request, however, had castigated the request. “Two and a half years after the start of this procedure, countless hours spent working out a timetable agreed to by both parties, and just a few days after reaching the finish line, the petitioner asks this tribunal to make a decision. break of several months, ”he said. In court on Monday, Frater said “there is literally no basis for this request … they are asking again that this court be transformed into a court of first instance”. But Holmes disagreed. The two sides will now try to chart the rest of the complicated case, which involves some of Canada’s leading defense and government lawyers, negotiating travel restrictions in the event of a pandemic on both sides of the country with a mix of ‘in-person, video and telephone hearings. Meng will be awaiting the resumption of her business under partial house arrest at her C $ 13.7 million (US $ 11 million) home, one of two homes she owns in Vancouver. In the days following his arrest, Canadians Michael Kovrig and Michael Spavor were detained in China and charged with espionage. Last month, they endured closed-door trials that each lasted only a few hours; no verdict has been announced. The Government of Canada claims Kovrig and Spavor are victims of hostage diplomacy and has called for their release. China, meanwhile, has repeatedly called on Canada to release Meng, categorizing his arrest in similar terms. minister, must decide whether US has jurisdiction over Meng Wanzhou’s actions in Hong Kong Meng Wanzhou’s extradition judge should not rule on US jurisdiction, Canadian government lawyer HSBC said and Huawei’s Meng Wanzhou settle Hong Kong case for documents as she fights extradition Meng Wanzhou’s lawyer denounces ex-Mountie for This article, Huawei’s Meng Wanzhou wins bid to delay the extradition hearing for three months, throwing the marathon case into turmoil for the first time in the South China Morning Post. For the latest news from the South China Morning Post, download our mobile app. Copyright 2021.



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This Earth Week, let’s put caution at the center of climate action https://feminaust.org/this-earth-week-lets-put-caution-at-the-center-of-climate-action/ https://feminaust.org/this-earth-week-lets-put-caution-at-the-center-of-climate-action/#respond Thu, 22 Apr 2021 20:26:00 +0000 https://feminaust.org/this-earth-week-lets-put-caution-at-the-center-of-climate-action/ “Care is essential low-carbon work that must be centered and encouraged in a just transition to a green economy.” —Yifat Susskind, Executive Director of MADRE and member of the feminist Green New Deal Coalition The Feminist Green New Deal Coalition advocates for investment in high quality jobs in the care sectors of our economy as […]]]>


“Care is essential low-carbon work that must be centered and encouraged in a just transition to a green economy.”

—Yifat Susskind, Executive Director of MADRE and member of the feminist Green New Deal Coalition

The Feminist Green New Deal Coalition advocates for investment in high quality jobs in the care sectors of our economy as part of a climate and infrastructure package, as well as climate policy more broadly. (Chris Yakimov / Flickr)

In this Earth Week 2021, let us finally and fully recognize the central role that care plays in the well-being of people and the planet.

In the run-up to Earth Week, the Feminist Coalition of the Green New Deal (FemGND, for short) – a broad coalition of organizations and individuals across the United States working for climate, gender, racial, economic and reproductive justice and who together advocate for an intersectional feminist response to the climate crisis – released an exciting new historical resource the intersection of care and climate. The thematic dossier, “Care & Climate: Understanding the political intersectionsAdvocates for investment in high-quality jobs in the care sectors of our economy – including child care, residential care and home health care – as part of a climate and infrastructure package, as well as a broader climate policy.

In order to move from an economy based on fossil fuels to a healthy and sustainable economy for people and the planet, massive public investments will have to be made to create and support decent and high quality climate jobs for all, especially those who have been economically marginalized, including people of color, women and gender mavericks, and especially black and indigenous women.

For many, the term “green jobs” conjures up hard hats and construction sites, where workers (mostly men) will renovate buildings and build and build solar panels. This is valuable and necessary work that we must invest in, while intentionally building stronger structures to bring women and people of color into areas such as renewable energy and construction. At the same time, however, we must recognize that green jobs mean much more.


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“Care is essential low-carbon work that must be centered and encouraged in a just transition to a green economy,” said Yifat Susskind, executive director of MADRE and member of FemGND.

Care work, which is the vital and vital work of caring for children, caring for the elderly, caring for the disabled and more, is devastatingly undervalued and under-resourced. Many have pointed out how care work, paid and unpaid, is the backbone of our economy and subsidizes all sectors, “green” or not. This is, as the brief states, “the unrecognized cost of maintaining our national infrastructure, carried out overwhelmingly by women, especially women of color. Focusing on unpaid care work highlights the political supports needed to sustain all social and economic production. “

We know that half of all Home health and personal care aides – who often care for the elderly and disabled – are women of color, and the downgrading of their care work is the result of white supremacy, capitalism and patriarchy that intersect. Momentum is building to recognize healthcare infrastructure as the key to a fair and green recovery not only from the COVID-19 crisis, but also from the interlocking crises of white supremacy, patriarchy and inequality. economic.

This Earth Week, let's put caution at the center of climate action
Filipino TV host and actress Miriam Quiambao calling for gender justice in climate change in October 2008. (Mongkhonsawat Luengvorapant / Oxfam)

“This note articulates the links between two of the greatest crises facing our country, showing that care work is climate work, and vice versa. We need to make sure the future is based on gender and racial justice, ”said Julie Kashen, senior researcher and director of economic justice for women at the Century Foundation.

“Home care workers are essential to our care infrastructure – investing in creating quality home care jobs will create millions of low carbon jobs for women, immigrants and individuals. of color, and will support a workforce that is often on the front lines of climate crises. Said Ilana Berger, New York director of the Domestic Employers Network and co-director of the NY Caring Majority campaign.

For climate action and investments and an economic recovery that prioritizes racial, economic and gender justice, focusing on healthcare infrastructure is the starting point.

The dissertation was co-authored by a powerful duo of climate and economic policy experts. Rhiana Gunn-Wright, director of climate policy at the Roosevelt Institute and one of the authors of the Green New Deal, and Lenore Palladino, assistant professor of economics and public policy at the University of Massachusetts at Amherst, were Building on the growing momentum around expanding and investing in national care infrastructure, from President Biden’s inclusion of elderly care in his infrastructure plan to Congressman Jamaal Bowman (DN.Y .) and Senator Elizabeth Warren (D-Mass.) recent release of the Care for All program.

On the release of the FemGND briefing note, Congressman Jamaal Bowman Noted:

“To build the world our children deserve and to tackle the climate crisis we are facing, we need a paradigm shift in the way we treat care. We need an economy that values ​​and prioritizes healing, not the current system of plantation capitalism that is destroying the planet and our people in order to concentrate obscene amounts of wealth in the hands of the few. Let’s treat care work for what it is – infrastructure – and invest in those jobs and workers so we can build a truly sustainable economy.

The FemGND hopes this resource brings new analysis to the discourse on climate investments and infrastructure, arguing that policy design must be mindful of the role that health care infrastructure must play in just economic recovery and for gender justice. and racial.

This Earth week, read the new FemGND brief and commit to putting care at the center of climate policy and action.

Following:


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20 curators who changed the way we think about art – ARTnews.com https://feminaust.org/20-curators-who-changed-the-way-we-think-about-art-artnews-com/ https://feminaust.org/20-curators-who-changed-the-way-we-think-about-art-artnews-com/#respond Thu, 22 Apr 2021 20:24:00 +0000 https://feminaust.org/20-curators-who-changed-the-way-we-think-about-art-artnews-com/ Today the word “conservative” conjures up a scholar and jet-set figure who attends biennials around the world, but the work hasn’t always been glamorous, and in the mid-twentieth century, a group of prominent figures took over. helped define the profession as we know it today by working tirelessly behind the scenes. In most cases, their […]]]>


Today the word “conservative” conjures up a scholar and jet-set figure who attends biennials around the world, but the work hasn’t always been glamorous, and in the mid-twentieth century, a group of prominent figures took over. helped define the profession as we know it today by working tirelessly behind the scenes. In most cases, their names were unfamiliar at the time, but their impact is considerable, shaping the way contemporary art was viewed in the years to come through groundbreaking surveys, modes of presentation world-class experiments and biennials.

This list examines the curators who helped define what the profession would become later. (For the purposes of this article, the scope was limited to figures who are deceased or no longer active.) Those included range from founders of major biennials to directors who have transformed institutions with their boundary-pushing exhibitions. .

Some of the curators here have argued for a fusion of art and politics, others have found innovative ways to present concept art, and still others have breathed new life into the art scenes of their countries. respective. Although not exhaustive, this list offers an overview of people who have identified various artistic movements and launched the careers of the artists involved. In the process, they have shown that conservation must not only lend itself to retrospectives and investigations, but that it can also encompass something close to an art form in itself.

A list of 20 of the most influential curators in art history follows below.



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11 performances that defined Glenn Close’s career https://feminaust.org/11-performances-that-defined-glenn-closes-career/ https://feminaust.org/11-performances-that-defined-glenn-closes-career/#respond Thu, 22 Apr 2021 17:42:15 +0000 https://feminaust.org/11-performances-that-defined-glenn-closes-career/ Playing the passionate Eleanor of Aquitaine facing the conflicting King Henry II by Patrick Stewart in Andrei Konchalovsky’s daring rendering of a 12th century power struggle, Close’s talent is in the spotlight. There are poisonous sides, fiery monologues, and moments of clever manipulation. Damage (2007 to 2012) Damage (2007-2012) Moviestore / Shutterstock Five seasons, two […]]]>


Playing the passionate Eleanor of Aquitaine facing the conflicting King Henry II by Patrick Stewart in Andrei Konchalovsky’s daring rendering of a 12th century power struggle, Close’s talent is in the spotlight. There are poisonous sides, fiery monologues, and moments of clever manipulation.

Damage (2007 to 2012)

Damage (2007-2012)

Moviestore / Shutterstock

Five seasons, two Emmys and a Golden Globe later, ruthless and imposing lawyer Patty Hewes is still one of Close’s most intricate creations. Chronicle of his relationship with an ambitious protege (Rose Byrne), Glenn Kessler, Todd A Kessler and the legal drama of Daniel Zelman is unavoidable.

Albert Nobbs (2011)

Albert Nobbs (2011)

Shutterstock

Close is almost unrecognizable as the titular butler working in a 19th-century Dublin hotel in this deeply touching period piece from director Rodrigo García. With restraint and a mysterious twinkle in her eyes, she plays a woman who disguised herself as a man to escape a violent past.

Wife (2017)

Wife (2017)

Shutterstock

After decades of living in the shadow of her arrogant novelist husband (Jonathan Pryce), who should be awarded the Nobel Prize for Literature, a supportive wife (Close) reaches the end of her rope in Björn Runge’s absorbent star vehicle. Enigmatic then explosive, Close has never been so good.

Hillbilly Elegy (2020)

Hillbilly Elegy (2020)

Netflix

While Ron Howard’s melodrama has received critical criticism, Close has been rightly praised for her portrayal of Mamaw, an eccentric matriarch who struggles to keep her grandson (Gabriel Basso) in line. If the Oscar escapes him again this year, it is surely time to give him an honorary award in 2022.



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Amy-Jill Levine and Hortense Spillers, Vanderbilt Pioneer Fellows, elected to American Academy of Arts and Sciences | Vanderbilt News https://feminaust.org/amy-jill-levine-and-hortense-spillers-vanderbilt-pioneer-fellows-elected-to-american-academy-of-arts-and-sciences-vanderbilt-news/ https://feminaust.org/amy-jill-levine-and-hortense-spillers-vanderbilt-pioneer-fellows-elected-to-american-academy-of-arts-and-sciences-vanderbilt-news/#respond Thu, 22 Apr 2021 17:00:00 +0000 https://feminaust.org/amy-jill-levine-and-hortense-spillers-vanderbilt-pioneer-fellows-elected-to-american-academy-of-arts-and-sciences-vanderbilt-news/ the American Academy of Arts and Sciences today announced the election of two esteemed Vanderbilt faculty members, Amy-Jill Levine, University Professor of New Testament and Jewish Studies and Mary Jane Werthan Professor of Jewish Studies, and Hortense Spillers, Gertrude Conaway Vanderbilt Professor of English. They are among the 252 new members selected for the academy […]]]>


the American Academy of Arts and Sciences today announced the election of two esteemed Vanderbilt faculty members, Amy-Jill Levine, University Professor of New Testament and Jewish Studies and Mary Jane Werthan Professor of Jewish Studies, and Hortense Spillers, Gertrude Conaway Vanderbilt Professor of English. They are among the 252 new members selected for the academy in 2021.

“Vanderbilt is honored that the American Academy of Arts and Sciences has elected two extraordinary members of our preeminent faculty,” Chancellor Daniel Diermeier mentionned. “Amy-Jill Levine and Hortense Spillers represent the best in academia. They both had a profound impact in their respective fields and, as a result, broadened humanity’s understanding of our common experience.

The American Academy of Arts and Sciences was founded in 1780 by John Adams, John Hancock, and others who believed that the New Republic should honor exceptionally accomplished individuals and involve them in the advancement of the public good. It is one of the oldest and most distinguished learned societies in the country.

“The election of Professors Levine and Spillers to the American Academy of Arts and Sciences provides well-deserved recognition of their enduring scholarship,” said Susan r wente, provost and vice-chancellor of academic affairs. “I join with their fellow faculty in congratulating the two on this remarkable achievement.”

Amy-Jill Levine (Vanderbilt University)

Levine is one of the primary authorities on New Testament studies and the historical context of Jesus and Christianity. She is an Affiliate Professor at the Center for the Study of Judeo-Christian Relations at the Woolf Institute in Cambridge, UK.

His books include The misunderstood Jew: the Church and the scandal of the Jewish Jesus (a Editor’s Weekly Best Book of 2007); News of Jesus: The Enigmatic Parables of a Controversial Rabbi; The Meaning of the Bible: What We Can Learn from the Jewish Scriptures and the Christian Old Testament (with Douglas Knight); The New Testament, Methods and Meanings (with Warren Carter); and The Gospel of Luke (with Ben Witherington III). His most recent book is The Bible with and without Jesus, co-written with Marc Z. Brettler. With Brettler, she co-edited The Jewish Annotated New Testament.

Her children’s books (with Sandy Sasso) include Who counts? 100 sheep, 10 pieces and 2 wires; The wonderful mustard seed; Who is my neighbor ?; A very big problem; and the next boardbook, 100 sheep: a counting dish.

Levine has received grants from the Mellon Foundation, the National Endowment for the Humanities, and the American Council of Learned Societies. She has held positions with the Society of Biblical Literature, the Catholic Biblical Association, and the Association for Jewish Studies.

Hortense Spillers (Vanderbilt University)

Spillers is a renowned researcher and critic who has written extensively on black feminism and African American literature.

His collection of essays, Black, White, and Color: Essays on American Literature and Culture (University of Chicago Press, 2003), includes thoughts on authors such as Ralph Ellison, Gwendolyn Brooks, and William Faulkner. She co-edited (with Marjorie Pryse) Invocation: black women, fiction and literary tradition (Indiana University Press, 1985).

Spillers sits on a number of editorial boards, including the editorial collective of limit 2, and is a former member of the Executive Board of the Modern Languages ​​Association. Some of his more recent essays have appeared in The new centenary magazine, das argument, and limit 2. With Tamura Lomax, she co-founded The feminist thread, an online magazine dedicated to feminist issues and criticism.

Among his many honors and awards are grants from the Rockefeller Foundation and the Ford Foundation. Spillers was also a member of the National Humanities Center in Research Triangle Park, North Carolina, and the Center for the Study of the Behavioral Sciences in Palo Alto, California.

She was interviewed for the 2014 documentary Dreams are colder than death, which was screened on campus during the symposium “The African Diaspora in the World”. In 2017, she was honored by the Caribbean Philosophical Association with the Nicolás Guillén Lifetime Achievement Award for her groundbreaking work in philosophical literary theory, which covers the course of disciplines across the humanities and social sciences.



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2021 RISE Book Project Announces Top 10 Feminist Headlines For Young Readers & Up | News Bites https://feminaust.org/2021-rise-book-project-announces-top-10-feminist-headlines-for-young-readers-up-news-bites/ https://feminaust.org/2021-rise-book-project-announces-top-10-feminist-headlines-for-young-readers-up-news-bites/#respond Thu, 22 Apr 2021 15:31:30 +0000 https://feminaust.org/2021-rise-book-project-announces-top-10-feminist-headlines-for-young-readers-up-news-bites/ RISE’s annual list is out; Jacqueline Woodson Adds Kennedy Center Education Artist-in-Residence to Her Many Honors; KC Boyd named winner of EMIERT Distinguished Librarian Award; and two new lines of books will bring “Chicken Soup for the Soul” to kids in this edition of News Bites. The annual list of the best feminist books for […]]]>


RISE’s annual list is out; Jacqueline Woodson Adds Kennedy Center Education Artist-in-Residence to Her Many Honors; KC Boyd named winner of EMIERT Distinguished Librarian Award; and two new lines of books will bring “Chicken Soup for the Soul” to kids in this edition of News Bites.

The annual list of the best feminist books for young readers is out; Jacqueline Woodson Adds Kennedy Center Education Artist-in-Residence to List of Positions and Honors; KC Boyd was named winner of the EMIERT Distinguished Librarian Award; and two new lines of books will bring “Chicken Soup for the Soul” to kids in this edition of News Bites.


Rise announces list of books

Rise: A Feminist Book Project, formerly known as Amelia Bloomer Booklist, released her annual book list and Top 10 feminist books for young readers.

“2020 challenged us all,” the group wrote in their announcement. “A pandemic has physically separated us. Amidst loss, isolation and injustice, we have forged new paths of solidarity. We have created new models of community. We have developed new tools. contacted our relatives virtually and took to the streets in protest.

“We are not finished. There is still work to be done.”

Rise recommends books with meaningful feminist content for readers from birth to 18 years old. The top 10 (listed alphabetically by author) are:

Applaud when you land by Elizabeth Acevedo

Red Riding Hood by Elana K. Arnold

Consent (for children!): Limits, respect and being responsible for you by Rachel Brian

Say his name by Zetta Elliott

Women Who Caught Babies: A Story of African American Midwives by Eloise Greenfield, illustrated by Daniel Minter

Every body is watching by Candice Iloh

It started with a page: How Gyo Fujikawa paved the way by Kyo Maclear, illustrated by Julie Morstad

Know my name by Chanel Miller

Ritu marries Chandni by Ameya Narvankar

Ruth Objects: The Life of Ruth Bader Ginsburg by Doreen Rappaport, illustrated by Eric Velasquez

the complete list has categories for early readers, intermediate grades, and young adults. Each category has separate lists of fiction and non-fiction.


Jacqueline Woodson named Kennedy Center Education’s Next Artist in Residence

Author and poet Jacqueline Woodson will be Kennedy Center Education’s next Artist in Residence. Woodson will follow Mo Willems, who was the first person to hold the post and saw his two-year residency plans cut short by the

Photo: John D. and Catherine T. MacArthur Foundation

pandemic.

Woodson will begin his residency in January 2022. His plans include directing two of his books – the adaptation The other side into a dance piece and creating a “concert book” of the winner of Newbery Show the way, with music by Tyrone L. Robinson.

“What I really hope my residency means is a chance for us to come together as communities and understand that the KC is for everyone,” Woodson said in a video posted as part of the Centre’s announcement.


KC Boyd receives EMIERT Distinguished Librarian Award

Washington, DC, school librarian KC Boyd won the 2021 Ethnic and Multicultural Information Exchange (EMIERT) Distinguished Librarian Award from the American Library Association. The award is presented annually to a librarian with “significant achievement in national or international library service which includes the improvement, dissemination and promotion of multicultural librarianship”.

Boyd is a speaker and advocate who works tirelessly to keep librarians in schools in 7th and 8th neighborhoods in DC.

“These predominantly African American and Hispanic neighborhoods have seen severe budget cuts in staffing / programming,” said nominee Richard Ashby, outgoing chair of the American Library Association (BCALA) Black Caucus. He said Boyd “has demonstrated selfless volunteerism, leadership and advocacy in the field of library information science for 23 years.”

Boyd is active in many organizations. She is a member of the boards of the DC Library Association and of the BCALA, member of the section council of the ALA; a national ambassador for the News Literacy Project; and a committee member of several library-related groups and the Washington Teachers’ Union Equity Collaborative.

As the recipient of the award, Boyd will receive a commemorative plaque and honorarium of $ 500.


USDA Extends Free Meal Program

The USDA has announced that it will extend waivers for the free universal meal program until the 2021-2022 school year. The waivers give schools more flexibility to tailor the service to the needs of students and families, including serving free meals outside of school hours and with pandemic precautions in place.

Up to 12 million American children live in homes facing food insecurity, according to the USDA.


Chicken soup for kids

Charlesbridge and Chicken Soup for the Soul LLC have announced a new joint children’s publishing program that will launch two new lines of books in the fall. Chicken Soup for the Soul BABIES (for ages 0-3) and Chicken Soup for the Soul KIDS (for ages 4-7) will focus on childhood social and emotional well-being. Each picture book will include an excerpt from an original “Chicken Soup for the Soul” book and related activities.

The first four books are scheduled for September 2021. Other titles will follow seasonally until 2022.



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Lowell on ‘Bloodthirsty’ Horror Flick and EP, Feminism & More https://feminaust.org/lowell-on-bloodthirsty-horror-flick-and-ep-feminism-more/ https://feminaust.org/lowell-on-bloodthirsty-horror-flick-and-ep-feminism-more/#respond Thu, 22 Apr 2021 14:03:39 +0000 https://feminaust.org/lowell-on-bloodthirsty-horror-flick-and-ep-feminism-more/ Lowell’s career can only be described as multifaceted. The Calgary, Toronto and Los Angeles-based musician has spent most of the past decade writing songs, both for herself and for today’s rising pop stars. She rose to prominence with her debut in 2014 We liked her very much, filled with progressive feminist and LGBTQ + anthems. […]]]>


Lowell’s career can only be described as multifaceted.

The Calgary, Toronto and Los Angeles-based musician has spent most of the past decade writing songs, both for herself and for today’s rising pop stars. She rose to prominence with her debut in 2014 We liked her very much, filled with progressive feminist and LGBTQ + anthems. While still writing her own music, she has also established herself as a powerful double-platinum songwriter, writing songs for Bülow, Tate McRae, as well as ten colossal songs for Madison Beer’s debut album, Life support.

Now she’s added another notch to her belt, co-writing the horror film Bloodthirsty. She also wrote an accompanying EP, Sanguinaire (music from the film). Both are expected to drop this Friday.

Check out her haunting ballad “Greta’s Song (I Love You To Death)” from the new EP, which Complex Canada premieres.

Bloodthirsty follows the evolution of Gray, a freelance singer, transforming into a werewolf as she records her second album. The film was written by an all-female creative team, an experience Lowell found liberating. “A lot of times when you have these gatekeepers who don’t fully understand you, it’s going to diminish the quality of your work,” she tells us.

She says this creative team, which includes her mother, Wendy Hill-Tout, has bolstered her ability to write strong female characters. “Gray, for example, is this really complex character. It is imperfect. She is powerful. She is desperate. She transforms. It is that beast, but it is also the prey of another person. All of these things are really complicated, and I think it’s okay. I think that makes a real human, and that’s what we lack in the movie: real humans who are women.

Lowell’s sound has evolved over the years from buzzing indie pop with brilliant synths to more contemporary pop. These clearly evolved piano ballads blend perfectly with her wide vocal range, making it extremely difficult not to imagine her writing these songs while sitting in front of a piano.

“For me, it’s always about the person first. Let’s say sex sells itself in a song, but if that person doesn’t want to sing about sex, then they shouldn’t have to sing about sex.

When writing songs intended for Sanguinaire (music from the film), she was able to adapt to Gray’s evolution, making the EP a mix of sucking sweet pop and sultry grunge-inspired transformations, best seen on the eponymous track “Bloodthirsty”. As Lowell was so closely involved in the process of creating the film and the music for Bloodroot, she created the perfect environment to showcase her ability to write immersive songs in many different contexts.

The EP contains all the songs she herself released since her 2018 album lone wolf, which served as a bridge between his two styles of writing. She shifted her focus away from releasing her own music for a few years to focus on her other songwriting efforts, cementing this stylistic shift. In doing so, she rediscovered what it means to be an artist in an ever-changing music industry.

“When I was 12 or something, I knew I wanted to be a musician. I went to turn on mics, played songs for people, and played. I’ve always been a performer and that’s always what I wanted to do. But at one point the world just got away from what that meant to me, so I had to do a lot of soul-searching about it.

While platforms like TikTok have the ability to make songs go viral within hours, Lowell is not interested in dancing and performing in that title herself. “What I realized as a pop songwriter is that I can really be an artist, as I believe I am artists. I can sit in a studio everyday and create art, and I can reflect on life and make it a song that touches people. For me, that’s what I’ve always thought of being an artist, and I don’t really have to do all of these other things. It doesn’t make me happy at all.

That’s not to say that Lowell doesn’t have a lot of respect for artists who use TikTok to their advantage, especially since some of the songs she wrote have gone viral because of it. “You used to write songs to be on the radio, I write songs to try to get on TikTok. It’s a different style of writing, for sure.

That respect spills over to the TikTok stars she wrote for and who cares deeply, many of whom are young women. By drawing on her own experiences as a young woman in the studio, she hopes to give her collaborators autonomy over the music they make. “For me, it’s always about the person first,” she explains. “Let’s say sex sells itself in a song, but if that person doesn’t want to sing about sex, then they shouldn’t have to sing about sex. I don’t know if some people can have that sensitivity in the room if they don’t understand what it’s like to be a young girl in a studio.

As well as being an advocate for women both on set and in the studio, Lowell has externally protested against Canada’s sex work laws for years. In 2015, she released a documentary with Vice on the recently implemented Protection of Communities and Exploited Persons Act. This bill has recently returned to the public eye because 25 groups representing sex workers have launched a legal challenge against.

For Lowell, this shows that more protections are needed for sex workers across Canada. “Manufacturing [sex work] more illegal in some ways does not help anyone. It just makes it dangerous for sex workers and costs lives. Unfortunately, this is a small problem for most people, which I have always tried to change. This younger generation seems to have a better understanding of humans as a whole. “

She also underlines the importance of intersectionality when talking about feminist issues: “I hope sex workers’ rights can be an issue we talk about more, especially because it mainly applies to people of color. , and it’s a question of women. These are things that people get excited about, but for some reason people can’t see why this is talking about sex workers as well. In the same way that white feminists find it hard to talk about black feminism, but they don’t understand that this is all a problem. You cannot be a feminist and not support black feminist issues.

Despite this, Lowell believes things are slowly changing and his experience working on Bloodthirsty is indicative of this. “I saw how liberating it was to work with a group of women and to work with queer women. You know, everyone, even the actors, was weird. I think it felt a bit like a progression, even though it was just in my tiny little bubble of a world.

Watch the trailer for Bloodthirsty below.



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Book Club – The Disordered Cosmos by Chanda Prescod-Weinstein | Podcast https://feminaust.org/book-club-the-disordered-cosmos-by-chanda-prescod-weinstein-podcast/ https://feminaust.org/book-club-the-disordered-cosmos-by-chanda-prescod-weinstein-podcast/#respond Thu, 22 Apr 2021 13:50:21 +0000 https://feminaust.org/book-club-the-disordered-cosmos-by-chanda-prescod-weinstein-podcast/ We might like to think of science as purely objective, guided only by scientific principles, and free from social disruption – but that couldn’t be further from the truth. In this episode we read the debut of Chanda Prescod-Weinstein The disordered cosmos: a journey through dark matter, space-time and delayed dreams, a book outlining how […]]]>


We might like to think of science as purely objective, guided only by scientific principles, and free from social disruption – but that couldn’t be further from the truth.

In this episode we read the debut of Chanda Prescod-Weinstein The disordered cosmos: a journey through dark matter, space-time and delayed dreams, a book outlining how racism and sexism persist in all scientific disciplines. Part introduction to particle physics, part biography, part cultural and social analysis, The messy cosmos examines the colonialist thread that runs through the history of science and presents a view of the cosmos as vibrant, inclusive and non-traditional.

We talk to Prescod-Weinstein – theoretical physicist, feminist theorist, and one of the few black American women who ever earned a doctorate in physics – about her message to the next generation of scientists, and find out who should read this timely message, provocative and necessary Title.

You can also read Monserrat’s review on The messy cosmos here.

For our next episode we’ll read Handmade: a scientist’s search for meaning through manufacturing by Anna Ploszajski. In it, the Materials Scientist explores the realm of manufacturers and craftsmen whose knowledge accumulated over generations of practical trial and error leads them to understand popular materials like glass, steel and stone well. better than any scientist with a textbook.

If you, dear listener, have any thoughts on The messy cosmos or know a book you’d like us to discuss at an upcoming book club, let us know in the comments below or tweet us @ChemistryWorld.





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